Archive for 2009

GTFM Rock Show Preview

Posted in GTFM Rock Show, Music, Rock Radio on December 16, 2009 by rockofages
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We have an interview with the so called ’supergroup’ Them Crooked Vultures featuring Dave Grohl, Josh Homme and John Paul Jones this week which we unable to broadcast it last week due to technical issues.
We also feature the new ‘festive’ album from Judas Priest singer Rob Halford, called ‘Winter Songs’ and we have the brand new single from Pontypridd band Lostprophets. Plus as usual there’s “”Rock News from the Web and a ‘Rare Track’ chosen by Rock Show listeners.

——

email DJ Andy Fox via rockshow@gtfm.co.uk

Listen live in the Pontypridd, South Wales area on 107.9 FM

or on the Internet by pointing your media player at

http://qtss.lrc.glam.ac.uk:8000/gtfmmp3
——
The GTFM ROCK SHOW with ANDY FOX,
22.00 to 24.00 every Wednesday

Confessions Of A Vinyl Collector

Posted in Confessions Of A Vinyl Collector, Music on December 14, 2009 by rockofages

Faced with ten days off work over Christmas, what is a Vinyl Addict supposed to do other than prepare for the festivities by taking a day off work a couple of weeks in advance of the holiday season, and clear off to Cheltenham, meet up with a fellow sufferer, and rescue some vinyl from the shelves of, as it turned out, more than one Spa town shop!

First up of course was Vinyl Vault. Probably the best stocked vinyl seller I know of, with the black gold still outnumbering compact disc by a long, long way, I did my usual here and bought some of the higher priced but excellent condition stuff then topped it up with a trawl through the half marked price stuff. Of course this is then further topped up with a search through the boxes of 80s albums that seem to be hidden away awaiting my next visit!

Paul Kossoff with Black Cat Bones – Paul’s Blues… still sealed, this 3LP set in lavish packaging captures the earliest material available from the then future Free guitarist. Kind of disappointed that the whole “Barbed Wire Sandwich” album isn’t included too but despite being low-fi recordings Kossoff’s talent shines.

The Allman Brothers Band – The Road Goes On Forever… or possibly “The Album will go on Forever” as Nick called it.  An opportunity to sample a band I’ve not heard much from yet, this 2LP set being subtitled “a collection of their greatest recordings”.

Ted Nugent – Double Live Gonzo… this one goes back to the Peacedogman Live Albums feature earlier in the year when I had to pit Nuge’s effort against AC/DC’s “If You Want Blood”.  Inevitably ‘DC won the day on that occasion but the spotlight hogging antics of Nugent stayed with me and a proper gatefold copy was a must own at some point!

Aerosmith – Aerosmith… at some point it becomes essential to forget about the MTV era ‘Smith (around “Pump” I reckon) and go back to the early stuff.  Rootsy rock ‘n’ roll that proves vastly superior to the later Desmond Child stuff a single listen will make the uneducated realise that for all the big production videos and polish of latter years, they’ve never written a better ballad than side one, track three… “Dream On” .

Aerosmith – Rocks… same argument as above I guess, only this time its material like “Back In The Saddle” and “Last Child” that shines brightly.

Little Angels – Too Posh To Mosh, Too Good To Last… very much a collection filler this one as the jewels of the Angels’ output lies elsewhere.  Nevertheless this post split release collects together the earliest independent release from the band and adds some remixed and unreleased stuff for good measure, and is at least worth a listen.

Bachman Turner Overdrive – Four Wheel Drive… the continuation of an appreciation that started to build up when I wrote about “Not Fragile” a while back.  BTO’s are worthy of so much more than being “them that did ‘You Ain’t Seen Nothin’ Yet” and their brand of no-nonsense hard rock sits well with me.

Ironhorse – Ironhorse… and hopefully this 10 track release from 1979 from the band that featured a post BTO Randy Bachman will prove just as favourable as his previous band’s output.  Despite the distinctly dodgy sleeve!

Hustler – Play Loud… an interesting one this given that I’d never heard of them before (it’s a 1975 release) but an in-store comment that “this should be up your street” along with a few promising tracks sampled on the shops turntable indicates it could be a good buy.  British heavy boogie-rock?  Fair assessment?

Into the hidden 80’s boxes then for the never ending effort to regain my youth by owning both all the albums I used to have and all the album I wanted during my formative years!

Salty Dog – Every Dog Has It’s Day… this one I used to have on cassette but it’s long since gone and quite honestly I can’t recall the quality of the content.  Of course, being a turn of the decade release (it’s actually a 1990 issue I notice – and a promo which is nice!) the fact it’s on a major label “Geffen”, is no guarantee of quality.

Giant – Last Of The Runaways… although this album simply oozes quality!  One of the finest melodic rock releases out there I’ve owned this on CD since release.  I actually nearly passed on this given a very clear visual mark that looks like a pressing fault, but they threw it in for free and to my pleasure it plays fine.  I saw Giant live on this tour at Woughton Arts Centre… it’s in my memory as a good gig but as far as what actually happened or was played on the night is lost in the mists of time.

Great White – Great White… the first album by the Americans?  I think so although the white logo on black cover sleeve I’ve never actually seen before.  A 1984 release on EMI America indicates it might be an import I guess as I can only remember some of these tracks from the “On Your Knees” EP.

Gorky Park – Gorky Park… remember these?  The Russian band who played the Moscow Peace Festival along with Ozzy, Scorpions and Bon Jovi etc? Who were heavily pushed for a while and benefitted from the input of Bruce Fairbairn,Mike Fraser and Jon Bon Jovi on this 1989 album?  Who covered The Who’s My Generation on the Hear ‘n Aid album (it appears on this album too indicating perhaps a lack of decent material)?  Who disappeared without trace soon after (but apparently soldiered on in their own land until 2001!)…. quite looking forward to hearing this!

Europe – Europe… the début album from the pin-up act of the later 80s.  Still in their formative years, ie. wanting to be like UFO, Deep Purple et al rather than shiny toothed, big haired Top Of The Pops act, but with a promise easily audible in cuts like “Seven Doors Hotel” and “In The Future To Come”. As with the next album, I’ve been looking to get vinyl copies for a while now.

Europe – Wings Of Tomorrow… the further fruition of the then four piece band and still my favourite release from them.  A real step up in quality from the début with the original “Open Your Heart” so much better than the re-recording and stuff like “Treated Bad Again”, “Stormwind” and the instrumental “Aphasia” arguably never bettered.  Look out for a reissue of this on Lemon Records in January 2010 – I know ‘cos I wrote the sleeve notes!

David Coverdale – White Snake… ol’ Cov’s first post-Purple outing and obviously an album title he thought would make a half-decent name for a band.  A very laid back album I find this to be with the original version of “Blindman” and obvious candidate for the best on the piece.

Q5 – When The Mirror Cracks… I remember the title track of this 1986 album being put on a mix tape a mate made up for me.  I can unfortunately remember little else (except that a Grand Prix track and Marillion’s “Grendel” were also on the tape but that’s irrelevant) therefore took a bit of a punt on this.

Dokken – Tooth And Nail… only the second Dokken album I’ve ever bought but I like the sort of directly descended from Van Halen way they go about proceedings.  I’ve already spun this one and whilst nothing hits me as up to the level of Unchain The Night in terms of catchiness it’s decent melodic hard rock for sure.  ”Heartless Heart” being an interesting title I thought!

Not too bad a haul I thought there, and with a few Cds traded in I got out of the shop only about £70 lighter which was a result better than expected.  Beginning to think about a decent meal on the 100 mile drive back home with the £30 left in the wallet, we instead wandered into a new Independant a few streets away.  Catering more to the younger, more extreme end of the rock spectrum I think with System Of A Down blaring away they also had a few racks of second hand vinyl of varying condition but all priced at a £1 each.  Half an hour or so later I had the following bagged up…

Derringer – Sweet Evil… a 1977 release that again I’ve written about in the past.  I rated it a 2 on a Peacedogman forum review and can recall it being okay but a bit workmanlike.  ie. nothing special but nothing to really knock it for either therefore worth a pound!

Robin Trower – For Earth Below…  now the same man’s “Bridge Of Sighs” is a classic piece of blues rock 33rpm-ery isn’t, it so realistically there must be something on this 1975 follow up to tickle the taste buds… mustn’t there?

Steve Gaines – One In The Sun… a lost solo album by the tragically lost Skynyrd guitarist that apparently only surfaced in 1986.  It’s actually a promo copy with the one-sheet, a copy of the cassette cover and the cd cover also inside the sleeve but the fact much is made of the L.S. connection and it only appeared on the independent FM revolver label means it might not prove as good as his offerings with the Southern Rock greats.

The Firm – The Firm… a classic example of the parts not adding up to anything like what it should have delivered yet I have a strange fondness for the single “Radioactive”.  Another that I haven’t heard in a long time though so ready for a listen.  ”You’ve Lost That Lovin’ Feeling” indicates a lack of good enough self-written material at the time though doesn’t it?

Bachman Turner Overdrive – Freeways… see above!  The sixth studio album from the Canadian rockers originally released in 1977 when virtually nobody was listening anymore.  Actually that may be a bit harsh as it did make the lower reaches of the US Top 100 but saw nothing like the success of earlier releases… doesn’t mean it’s bad though!

Little Feat – The Last Record Album… another punt into the unknown from a band who I should have heard more from.  The fact it’s described as the last album of the band’s “classic period” bodes well for it being a pound well spent.

Rush – Presto… I’ll be honest and admit I rarely reach for anything other than the underrated début, “2112″ or “Permanent Waves” when in a bit of a Rush mood  so it’s high time I broadened my horizons.  I do have quite a few of their albums actually but little of the later stuff but I don’t hold great hopes of this challenging the other three as my Rush go to albums.

So just £7 left me thinking I’d done quite well, especially as I still had a couple of notes left in my pocket.  A quick look in the British Heart Foundation put paid to that though as firstly three Little Angels 12″ promos popped up demanding purchase (funny how these turn up just after my involvement in the reissue of the band’s Polydor début) followed by a couple of other albums that I’ve been looking out for over the months…

Bon Jovi – Keep The Faith… generally my opinion is that I can pretty much take or leave Bon Jovi after the first four albums but I must say I have rarely seen this on vinyl and certainly never for as low as £2.99.  By now I reckon they’d decided that the pop charts were where the money lay and there is certainly some radio oriented fluff on here but Keep The Faith is worth owning in any format for one song alone, “Dry County”.  Richie Sambora’s finest moment and a candidate for best guitar solo ever.

Fish – Vigil In A Wilderness Of Mirrors… now this is a quality album to end on!  The formidable Scotsman’s first post-Marillion output and still one of the finest releases to bear his name.  Really, this deserves as much attention as both “Misplaced Childhood” and “Clutching At Straws” in my humble opinion and will make a welcome accompaniment to some festive relaxation during the holiday period.

—–

BL

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GTFM Rock Show Preview

Posted in GTFM Rock Show, Music, Rock Radio on December 9, 2009 by rockofages
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This week, we feature an interview with the so called ’supergroup’ Them Crooked Vultures featuring Dave Grohl, Josh Homme and John Paul Jones. We feature the new reunion album from Creed who are back after six years, and we have Skunk Anansie “Best of…” albums to give away. Plus as usual Rock News from the Web and a ‘Rare Track’ chosen by Rock Show listeners.

——

email DJ Andy Fox via rockshow@gtfm.co.uk

Listen live in the Pontypridd, South Wales area on 107.9 FM

or on the Internet by pointing your media player at

http://qtss.lrc.glam.ac.uk:8000/gtfmmp3
——
The GTFM ROCK SHOW with ANDY FOX,
22.00 to 24.00 every Wednesday

GUN live in Swansea

Posted in Gun, Live, Music on December 7, 2009 by rockofages

Sin City, Swansea

November 29th 2009

It was a memorable night for me personally as thanks to the Rock Show’s Andy Fox I had the opportunity to meet up with new Gun frontman Toby Jepson pre-show, present him with copies of our recent Little Angels “Don’t Prey For Me” reissue, get my own copy signed of course, and reminisce about some fine times the Toby’s original band provided for us both!

The reason for this appearance in Swansea though was of course down to the fact he is nowadays fronting the reformed and reshaped Scottish rockers Gun and this was there first visit to South Wales since the regrouping after a scheduled summer festival appearance at the Caldicott Festival was sadly cancelled. Unfortunately, it seems a Sunday night in December coupled with an admittedly miserable Welsh weekend weather-wise perhaps isn’t the best conditions to pull in a crowd though as only about 50 people turned up (by far the lowest turn out of the tour I’m told), but had more entered the doors of Sin City they would certainly have witnessed a bit of a treat.

It took just a few songs to send me personally back to the days of the “Taking On The World” album, remembering a front row squeeze at Coventry Poly on the band’s first headlining tour and recalling just what a fine band Gun have always been. Of course, with Mark Rankin now replaced by Jepson (and us all about 20 years older!) it’s a little different but he delivered the likes of “Money”, “Inside Out”, “Shame On You” and the ever-excellent breakthrough single “Better Days” with such aplomb that Gun’s heritage is surely secure with this new configuration. Underlining this, Swagger’s highlight “Don’t Say It’s Over” and the memorable “Steal Your Fire” from second album “Gallus” also made for positive memories of the new Gun experience.

Okay, so unlike a number of clearly more committed fans at the show I was less enamoured by the selections from the more shoutier end of the band’s output, notably when Toby Jepson and bassplayer Dante Gizzi swapped roles for a song who’s title now eludes me, and also for the inevitable encore of hit single and Cameo cover “Word Up” but fortunately these lesser melodic moments were few. Indeed it seems the band have re-evaluated where their strengths lay as the selections from the strong new EP “Popkiller” seems to herald a return to the catchy, more accessible rock of the singles from the first few albums. The title track being an especially infectious piece of writing sure to stick in the head for a while after hearing whilst “Seraphina” is a song so good it actually ranks alongside some of those aforementioned single tracks as, in my opinion, amongst the best released under the band’s name.

A strong showing from the band then, but unfortunately not a strong showing from the people of Swansea. I fear future Welsh shows by Gun won’t take place quite as far along the M4 next time which is a shame, but realistically the band, this kind of performance and indeed the catalogue of songs they possess deserve to be performed in front of more than those of us who ventured out this night.

—–

BL

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GUN interview on GTFM Rock Show

Posted in GTFM Rock Show, Gun, Interviews, Music on December 5, 2009 by rockofages

With the new “Popkiller” EP now available and a 19 date UK tour in full swing, GTFM Rock Show presenter Andy Fox caught up with guitarist Joolz Gizzi and newly recruited frontman Toby Jepson recently to discuss the reasons for the split up of the original Gun line-up, the catalyst for the reformation and the hopes of the band now that the new line-up is established and blooded.

CLICK HERE TO LISTEN TO THE INTERVIEW

Uli Jon Roth & Electric Sun – Beyond The Astral Skies

Posted in Album Reviews, Music, Uli Jon Roth on December 3, 2009 by rockofages

Details: 1985 (2009 reissue), EMI, CD

He can be a hard taskmaster at times. Flings a promo disc at me with the words “ four hundred words by Monday.” It’s not as if I was getting paid or anything……still, I get some free CDs (some of which I want and some of which I don’t), so I’ll keep my grumbles to a minimum. Problem is, on this occasion, I am to be found woefully wanting in the old anorak stakes and thus easy prey for the aficionados and fully paid-up fan club members. Never mind, onwards and sideways.

Hmm, let’s see, what do I know about Uli Jon Roth? Not a lot really, I suspect he’s still chiefly remembered for his time in the Scorpions, Germany’s biggest known rock band.
That said, Roth left after the splendid live double “Tokyo Tapes” release and just before the Scorps hit paydirt and cracked the American stadium circuit at the turn of the 80’s – in fact, Roth left almost immediately before the dollars began rolling in, so not particularly good timing on his part – though I suspect he didn’t jump ship for financial reasons. (The connection still remains: Roth supported Scorpions on their last UK tour, even playing with them on some numbers in the main set).

What else? I also know his long-term girlfriend was Monika Danneman (Jimi Hendrix’s old flame), and ‘tis she who painted the rather-fetching artwork that adorns the cover of “…Astral Skies.” On the face of it though, the album is a surprise choice for the EMI re-mastering treatment, although I suspect sales in Germany and Japan will make the effort worthwhile. Recorded in the summer of 1984 and released in early 1985, “…Astral Skies” was Roth’s third solo outing (after “Earthquake” and “Firewind” were released on the Brain / Metronome label) but his first for EMI. Never the strongest singer (witness “Dark Lady” from “The Tokyo Tapes”!), Roth complemented his own lead vocals with Nicky Moore and Michael Flechsich and roped in several further vocalists to provide harmonies. And it’s this point that proves to be a major irritant to me on this otherwise superbly-performed album: at times the backing vocals are pitched so high, my house is surrounded by small dogs. Of course, many bands in rock and metal have utilised vocals that employ maximum use of the falsetto (both as a lead voice and as harmony), but the backing vocals on nearly every track here, over-sung and wildly over-dubbed, achieve a similar effect to fingernails being scraped down a blackboard. Stop it, stop it, stop it.

But if you can force your mind to ignore this (or simply accept that, hey, this was the mid-80’s after all), “Beyond The Astral Skies” proves itself an excellent album, with material both exciting and varied. Roth, like Frank Marino, is a fervent disciple of Hendrix, and sometimes he lets his reverential style wander too close to Jimi, but largely his playing is fluid and expressive and doesn’t mimic Hendrix. Thunder cracks and lightning bolts herald album opener “The Night The Master Comes”, but in truth, despite the dramatics, it’s a fairly average song. “What Is Love” is better, working off a high-pitched opening riff, which competes with some similiarly soaring vocals. All the songs are penned by Roth and his lyrics are mystical, often reflecting his spiritual concerns, but they work well with the style of the music, which (if you overlook the massed ranks of backing voices) has the feel of the late-60’s or early 70’s. Twittering birds and dainty piano chords are employed to begin the song “Why?” and if this sounds horrible, it is, and, despite a good guitar solo, the song feels one-dimensional and the chorus vocals grate hideously.
Fortunately, things take a turn for the better from here on in. “I’ll Be There” is an emotive ballad: the vocals don’t attempt to shatter glass and Roth delivers a stunning solo of over three minutes in length. It fades into the sound of the wind and “Return (Chant Of Angels)”, a reflective instrumental that closed Side A of the original vinyl.

The second half of the album is even more varied, moving through a range of styles – the individual songs complementing each other: if not a concept album in the sense that The Who’s “Tommy” is, “Beyond The Astral Skies” links themes and lyrical ideas with Roth pulling all the musical strings. “Icebreaker” is a strong rock song, but manages to feature spoken word passages and an instrumental section that could’ve been lifted from a Mahavishnu Orchestra recording “I’m A River” begins life as an acoustic ballad, but Roth moves it back into more familiar territory with a long electric solo that is never overstated and while the first few bars of “Angel Of Peace” have Hendrix’s “The Wind Cries Mary” stamped all over them, it soon becomes a multi-layered guitar and vocal piece, echoing elements of Carlos Santana’s guitar-work as well.

By this time, Roth obviously had so many singers loitering round the studio, he felt he needed a showstopper to put them all to use on: “Eleison /Son Of Sky” is full-on symphonic rock, violins and Latin-lyrics to the fore, a nine-part epic that lasts nine minutes (and correct me if I’m wrong) seems to be a musical equivalent of The Book Of Revelations. It’s a bold closing statement and you can tell where Nightwish got a lot of their ideas from!

Two bonus tracks are added to this re-issue, but both are simply edited versions of the album’s lead single “The Night The Master Comes” and its B-side “Return.” Both tracks are inessential and serve to distract from what’s gone before rather than adding anything. This in an album that works just fine as it had done on vinyl and I am guessing the only reason EMI felt compelled to add the single edits was to boost the running-time.
I’ve played this one three times on the trot and it has repaid the repeated listening, with much to recommend.

Heck, four hundred words, I’ve done over a thousand! And I still can’t get those darn backing vocals out of my head…

Highlight: I’ll Be There

Score: 4/5

—–

NJ

GTFM Rock Show Preview

Posted in GTFM Rock Show, Music, Rock Radio on December 2, 2009 by rockofages
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This week’s Rock Show features an interview with Joolz and Toby from the recently reunited Gun and we have some signed copies of their new ‘Popkiller’ EPs to give away.  We feature the new solo album from Aerosmith guitarist Joe Perry called ‘Have Guitar, Will Travel’, and we’ll bring you the track recently voted ‘Best Riff of All Time’ in a recent poll.  New music comes from Lynch Mob, Band of Skulls and Lions plus as usual Rock News from the Web and a ‘Rare Track’ chosen by Rock Show listeners.

——

email DJ Andy Fox via rockshow@gtfm.co.uk

Listen live in the Pontypridd, South Wales area on 107.9 FM

or on the Internet by pointing your media player at

http://qtss.lrc.glam.ac.uk:8000/gtfmmp3
——
The GTFM ROCK SHOW with ANDY FOX,
22.00 to 24.00 every Wednesday

Steve Morse – Out Standing In Their Field

Posted in Album Reviews, Music, Steve Morse on November 30, 2009 by rockofages

Details: 2009, Ear Music, CD

Steve Morse is a musician with who I have a curious relationship, having turned up at different points in two of my favourite bands, Kansas and Deep Purple. However, with each band he has had some weighty shoes to fill in the shape of Kerry Livgren and Ritchie Blackmore respectively. That said, I put aside my prejudices and love for all things Blackmore to find that, ultimately, Purpendicular has ended up being one of my favourite Deep Purple albums of all time. It’s a shame that the quality has steadily declined since then, to the point where the band really should give up…

So it was with mixed emotions that I turned to his latest solo album, ‘Out Standing In Their Field’. My predilection for instrumental albums has started and finished with Joe Satriani, having been put off by Steve Vai’s wilder excesses. So it was to my relief that I found Morse more disposed to the Satriani approach of putting the song first, rather than feeling the need to show off his axe skills. Opening song ‘Name Dropping’, in fact, reminded me of a heavier version of ‘Extremist’ era Satriani, a cool groove leading into a smooth, melodic song where Morse is happy to share the limelight with Bass player Dave Larue as and when needed. The soundscapes are large, tough, grand in ambition but never overwhelming. Morse’s talent has never been in question, and the sign of a true great is often a player who appreciates less is more. He doesn’t need to show his ability to play huge numbers of notes in quick succession, because he can. Well, that’s until ‘John Deere Letter’ (of which more later!),

What we have here is an album which could be considered ‘eclectic, and definitely suffers from a split personality. Its not so much a call for the days of vinyl and a ‘red’ and a ‘black’ side, rather there are 3 sides to this story!

I’m pleasantly impressed by the first four tracks, with the jazz fusion of ‘Brink of the Edge’ followed by the faintest echoes of modern day acoustic led Purple in ‘Here and Now and Then’. We have a series of midtempo numbers, then, which slip rather disconcertingly into the driving country of ‘John Deere Letter’. Hmmmm this is, to be honest, why I tend to avoid guitar led albums, and ‘More To the Point’ is just too many notes for this simple brain to handle. I have no doubt that to some, these would be the pinnacle of the album but, alas not for these ears. Fortunately ‘Unnamed Sources’ slows things down again, and ‘Flight of the Osprey’ starts deceptively with an acoustic guitar, before launching into a hard driving rock song that displays far more energy than Purple have managed for a number of years.

Baroque ‘n Dreams is a curious track to finish. It would be all too easy to compare the melody to Ritchie Blackmore’s current liking for Renaissance music but the bass rumbles away in the background, giving the track a certain latent menace, always threatening to erupt, but kept under control. As a closing track, it offers a brave and unusual conclusion, avoiding the obvious drama and eruption with which to finish.

So what we have here is an album that (thankfully!) avoids the worst excesses of guitar hero albums. By so doing, it confirms that Morse is, in fact, a guitar hero. Able to adapt to many styles, comfortable in them all yet not over-showy, there’s one thought to leave with.

Please, please, leave Deep Purple. This album has more energy, more variety and more unpredictability than the hoary old behemoths can manage nowadays. It appears that, ironically for a band who have earlier had 3 sensational guitarists pass through their ranks, they are holding their current incumbent back.

Highlight: Flight Of The Osprey

Score: 3.5/5

—–

BE

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Sondura – Live Before You Die

Posted in Album Reviews, Music, Sondura on November 27, 2009 by rockofages

Details: 2009, HardSound Records, CD

Sondura’s début album “Live Before You Die” explodes out of your speakers like a greyhound leaving its trap: it’s hard and fast, aggressive in all the right places and chock-full of solid riffs and battering drums. Their press release cites Metallica, Nickelback and Hundred Reasons: well, I don’t get the Metallica comparison, but the other two are right on the money. Hard and heavy, yet melodic and well-played, it’s an impressive opening shot from this young band.

Bold, brash, new Brit metal, no one track outstays its welcome (which is presumably the intention?), but in the breathless rush I do find myself sometimes wishing some of the tracks went on a little longer, allowed themselves room to grow perhaps….thankfully there is some consideration given to this: the opening title track, “Scars” and “Never Get Enough” are all the more vibrant and relentless when placed before “Black And White” and “Falling Free,” both of which slow the pace and bring in a greater depth. Indeed, “Falling Free” grooves like a classic 70’s rock ballad – albeit one with a modern kick up the jacksey! It should be mentioned here that “Scars” has an opening riff that is pure Iron Maiden, a remorseless rhythm and a closing solo that screams “primetime Megadeth!” at the top of its voice!

Possibly the best two tracks on the album are slotted together in the middle: “A Thousand Miles” and “Free Spirits” are both muscular; powerful, melodic metal. Vocalist Tom Watson can scream with the best of ‘em, but you can always hear the words (some vocalists these days sound like they’re gargling a bag of rusty nails) and his brother Jack proves himself an excellent guitarist. Rhythm section Steve Dillon (bass) and Fred Green (drums) are a tight and impressive unit. “Fake” is another piledriver, (with , yes I’ll go with it, a mid-section that does recall Messers Hetfield, Ulrich et al) and “Last Man Standing” again slows the pace, if not the intensity, to good effect.

“Live Before You Die” is an accomplished début, and at its best when the guys let some light and shade in. Assuming they get some solid label backing behind them (and hopefully a suitable support slot that enables them to reach a wider audience), the follow-up release could really make waves. Sondura have all the right ingredients to be something special.

Highlight: A Thousand Miles

Score: 3.5/5

—–

NJ

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GTFM Rock Show Preview

Posted in GTFM Rock Show, Music, Rock Radio on November 25, 2009 by rockofages
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This week, we talk to our old friend and special guest Jeff Collins. Local author,broadcaster and rock aficionado, he has a new book out documenting the story of Stuart Cable, drummer with the Stereophonics and Killing for Company. New music this week from Joe Perry, Gun and Creed plus as usual Rock News from the Web and a ‘Rare Track’ chosen by Rock Show listeners.

——

email DJ Andy Fox via rockshow@gtfm.co.uk

Listen live in the Pontypridd, South Wales area on 107.9 FM

or on the Internet by pointing your media player at

http://qtss.lrc.glam.ac.uk:8000/gtfmmp3
——
The GTFM ROCK SHOW with ANDY FOX,
22.00 to 24.00 every Wednesday